members of the original byrds band

[43][46] By the time the sessions for their debut album began in March 1965, Melcher was satisfied that the band was competent enough to record its own musical backing. The show will be at 7 p.m. [141][142][143] The album featured contributions from a number of noted session musicians, including bluegrass guitarist and future Byrd, Clarence White. [155] There is some disagreement among biographers and band historians as to whether Clark actually participated in the recording sessions for The Notorious Byrd Brothers, but there is evidence to suggest that he sang backing vocals on the songs "Goin' Back" and "Space Odyssey". March 8, 1946, Scottsbluff, Nebraska), Jim Messina (b. December 5, 1947, Maywood, California), and Rusty Young (b. February 23, 1946, Long Beach, California). [62][8] In particular, Clark's "I'll Feel a Whole Lot Better" has gone on to become a rock music standard, with many critics considering it one of the band's and Clark's best songs. [3] In particular, the band's relationship with the Beatles would prove important for both acts, with the two groups again meeting in Los Angeles some weeks later, upon the Byrds' return to America. But when it gets to be Michael Clarke the drummer -- who never wrote anything or sang anything going out there with an even worse band, and claiming to be the Byrds and they can't play the stuff. This is officially sanctioned by the 3 remaining founding. [43] Rather than using band members, producer Terry Melcher hired a collection of top session musicians, retroactively known as the Wrecking Crew, including Hal Blaine (drums), Larry Knechtel (bass), Jerry Cole (guitar), and Leon Russell (electric piano), who (along with McGuinn on guitar) provided the instrumental backing track over which McGuinn, Crosby and Clark sang. [168] Parsons stayed at Richards' house in West Sussex immediately after leaving the Byrds, and the pair developed a close friendship over the next few years. The principal members were Roger McGuinn (original name James Joseph McGuinn III; b. July 13, 1942, Chicago, Illinois, U.S.), Gene Clark (in full Harold Eugene Clark; b. November 17, 1941, Tipton, Missourid. [103][104], "Eight Miles High" is marked by McGuinn's groundbreaking lead guitar playing, which saw the guitarist attempting to emulate the free form jazz saxophone playing of John Coltrane, and in particular, Coltrane's playing on the song "India" from his Impressions album. Original Band Members of 'Led Zeppelin' Quiz - By pabramoff. [241] Hillman agreed to play both concerts for the sum of $2,000 and also brought in Manassas percussionist Joe Lala to fill the vacant spot behind the drum kit. He was taking over the band, so we couldn't really let that happen. Our instruments were buried. [238] The album's title track, sung by White with the rest of the group harmonizing, would later become a poignant and prophetic epitaph for the guitarist when it was sung by ex-Byrd Gram Parsons and the Eagles' Bernie Leadon at White's funeral in July 1973. Shop for Vinyl, CDs and more from The Byrds at the Discogs Marketplace. [162] Parsons and McGuinn would later write the pointedly sarcastic song "Drug Store Truck Drivin' Man" about Emery and their appearance on his show. [164] When McGuinn refused, Parsons next began to push for a higher salary, while also demanding that the group be billed as "Gram Parsons and the Byrds" on their forthcoming album. [1][46], The Byrds' next single was "All I Really Want to Do", another interpretation of a Dylan song. [226] Regardless, by the time of the album's release, Melcher had resigned as the Byrds' manager and producer. Turn! [132] Crosby, who had closely overseen the recording of the song,[133][134] was bitterly disappointed by the single's lack of success and blamed Gary Usher's mixing of the song as a factor in its commercial failure. "[37] His ringing endorsement erased any lingering doubts that the band had over the song's suitability. The members were Jaime ("Robbie") Robertson (b. July 5, 1944, Toronto, Ontario, Canada), Levon Helm (b. [1] McGuinn elected to rebuild the band's membership; between 1968 and 1973, he helmed a new incarnation of the Byrds that featured guitarist Clarence White, among others. [87][94], On December 22, 1965, the Byrds recorded a new, self-penned composition titled "Eight Miles High" at RCA Studios in Hollywood. [190] A number of tracks on Dr Byrds & Mr. Hyde, including the instrumental "Nashville West" and the traditional song "Old Blue",[191] featured the sound of the Parsons and White designed StringBender (also known as the B-Bender), an invention that allowed White to duplicate the sound of a pedal steel guitar on his Fender Telecaster. [163] Even Hillman, who had previously been Parsons' biggest supporter in the band, began to grow weary of his forceful demands. [40] Hillman's background was more oriented towards country music than folk or rock, having been a member of the bluegrass groups the Scottsville Squirrel Barkers, the Hillmen (also known as the Golden State Boys), and, concurrently with his recruitment into the Jet Set, the Green Grass Group. [248] The reunion actually took place in early October 1972, beginning with a rehearsal at McGuinn's house, where the group began selecting suitable material for a new album. [21][150] Then, in September, Crosby refused to participate in the recording of the GoffinKing song "Goin' Back",[150] considering it to be inferior to his own "Triad", a controversial song about a mnage trois that was in direct competition with "Goin' Back" for a place on the album. The comments reside on Facebook servers and are not stored on . [182] Things came to a head on September 15, 1968, following a band performance at the Rose Bowl stadium in Pasadena, when Hillman and Spector came to blows backstage. [130][147] In addition, during the Byrds' performance at the Monterey Pop Festival on June 17, 1967, Crosby gave lengthy in-between-song speeches on controversial subjects, including the JFK assassination and the benefits of giving LSD to "all the statesmen and politicians in the world", to the intense annoyance of the other band members. [23] Sensing the trio's potential, Dickson quickly took on management duties for the group, while his business partner, Eddie Tickner, became the group's accountant and financial manager. 45: The Byrds", The Original Singles: 19651967, Volume 1, The Original Singles: 19671969, Volume 2, 20 Essential Tracks from the Byrds Box Set (1965-1990), Hot Burritos! Flashback: Original Byrds Lineup Reunites at the Rock and Roll Hall of Fame This 1991 performance of "Mr. Tambourine Man" is the last time the classic lineup of the Byrds performed together By. [167] The ensuing South African tour was a disaster, with the band finding themselves having to play to segregated audiencessomething that they had been assured by promoters they would not have to do. [213] It was therefore suggested by Melcher that the band should release a double album, featuring one LP of concert recordings and another LP of new studio material. [255], In 1984, Gene Clark approached McGuinn, Crosby, and Hillman in an attempt to reform the Byrds in time for the 20th anniversary of the release of the "Mr. Tambourine Man" single in 1985. [273] Lavezzoli concluded that "like it or not, terms like 'folk rock', 'raga rock' and 'country rock' were coined for a reason: the Byrds did it first, and then kept moving, never staying in the 'raga' or 'country' mode for very long. [206] York had become disenchanted with his role in the Byrds and had voiced his reluctance to perform material that had been written and recorded by the group before he had joined. [142] Crosby felt that the band should rely on self-penned material for their albums, rather than cover songs by other artists and writers. [1] Roger McGuinn turned his attention to establishing his own career, releasing a series of solo albums between 1973 and 1977, and making a high-profile appearance with Bob Dylan's Rolling Thunder Revue. [46] However, the use of outside musicians on the Byrds' debut single has given rise to the persistent misconception that all of the playing on their debut album was done by session musicians. (to Everything There Is a Season)", "Mr. Tambourine Man", and "I'll Feel a Whole Lot Better", represented the first time that all five original Byrds had stood together since 1973. [264] Performing under the banner of The Byrds Celebration, the tribute group toured extensively throughout the remainder of the 1990s, although Parsons was replaced by session drummer Vince Barranco in 1995 and Battin was forced to retire due to ill-health in 1997. May 24, 1991, Sherman Oaks, California), David Crosby (original name David Van Cortland; b. [27] He also took part in a 1977 reunion of Crosby, Stills & Nash, which saw the group release their multi-platinum selling CSN album. Turn! [241] The band underwent a further personnel change following a show on February 10, 1973, in Ithaca, New York, when Skip Battin was dismissed by McGuinn, who had capriciously decided that the bassist's playing abilities were no longer of a sufficient standard. [224] The band themselves were publicly critical of the album upon its release, with Gene Parsons referring to it as "Melcher's folly". Paul also addressed KISS's unwillingness to perform with the original lineup at the ceremony, saying: "[Rock Hall's] craving of nostalgia or for wanting to have us play by their rules in many ways . [64][65][66] Upon release, the Mr. Tambourine Man album, like the single of the same name, was influential in popularizing folk rock[8] and served to establish the band as an internationally successful rock act, representing the first effective American challenge to the dominance of the Beatles and the British Invasion. (to Everything There Is a Season), Recording Industry Association of America, The Best of The Byrds: Greatest Hits, Volume II, Marty Stuart and his Fabulous Superlatives, "David Crosby, Byrds and Crosby, Stills & Nash Co-Founder, Dies at 81", "Musicians Associated with the Byrds: The New Christy Minstrels", "Byrds FAQ: What instruments did they play? [107] The relatively modest chart success of "Eight Miles High" (number 14 in the U.S. and number 24 in the UK) has been largely attributed to the broadcasting ban, although the challenging and slightly uncommercial nature of the track is another possible reason for its failure to reach the Top 10. [96] As a result, the band was forced to re-record the song at Columbia Studios in Los Angeles on January 24 and 25, 1966, and it was this re-recorded version that would be released as a single and included on the group's third album. [24] While performing at the Troubadour folk club in Los Angeles, McGuinn was approached by fellow Beatles fan Gene Clark, and the pair soon formed a Peter and Gordon-style duo, playing Beatles' covers, Beatlesque renditions of traditional folk songs, and some self-penned material. The Byrds' founding members Roger McGuinn and Chris Hillman are touring this summer to mark the 50th anniversary of their watershed 1968 country-rock album "Sweetheart of the Rodeo." On this Wikipedia the language links are at the top of the page across from the article title. The Byrds Template:IPAc-en were an American rock band, formed in Los Angeles, California in 1964. [202] The Byrds' association with the film heightened their public profile and when the Ballad of Easy Rider album was released in November 1969, it peaked at number 36 in the U.S. and number 41 in the UK, becoming the band's highest-charting album for two years in America. [137] Despite this lack of commercial success, the Byrds' rendition of "Goin' Back" featured a band performance that author Ric Menck has described as "a beautiful recording", while music critic Richie Unterberger has called it "a magnificent and melodic cover that should have been a big hit". Turn! Turn! [256], After the tour wound down in late 1985, Clark returned to his solo career, leaving Michael Clarke to soldier on with a band that was now billed as "A Tribute to the Byrds" (although again, it was often shortened to the Byrds by promoters). [2] Chris Hillman worked as part of the SoutherHillmanFuray Band following the Byrds reunion and released a pair of solo albums entitled Slippin' Away and Clear Sailin' in 1976 and 1977 respectively. [37][38] In an attempt to bolster the group's confidence in the song, Dickson invited Dylan himself to World Pacific to hear the band perform "Mr. Tambourine Man". [92][93], While the Byrds outwardly seemed to be riding the crest of a wave during the latter half of 1965, the recording sessions for their second album had not been without tension. [235] Musically, the album found the Byrds beginning to move away from their country rock soundalthough at least half the album still bore a strong country influenceand instead, embrace a style indebted to 1950s rock 'n' roll music. Turn!, was released in December 1965[85] and while it received a mostly positive reception, critical consensus deemed it to be inferior to the band's debut. [132] The Byrds' biographer Johnny Rogan has described "Lady Friend" as "a work of great maturity" and "the loudest, fastest and rockiest Byrds' single to date". [68] Issued on June 14, 1965, while "Mr. Tambourine Man" was still climbing the U.S. charts, the single was rush-released by Columbia in an attempt to bury a rival cover version that Cher had released simultaneously on Imperial Records. [35] As the band continued to rehearse, Dickson arranged a one-off single deal for the group with Elektra Records' founder Jac Holzman. Popular Quizzes Today. [71][73] This natural aloofness was compounded by the large amounts of marijuana that the band smoked and often resulted in moody and erratic live performances. [6][7][8][9] As the 1960s progressed, the band was influential in originating psychedelic rock and raga rock, with their song "Eight Miles High" and the albums Fifth Dimension (1966), Younger Than Yesterday (1967), and The Notorious Byrd Brothers (1968). Billboard Hot 100 chart and the UK Singles Chart. [160] During this period, Parsons attempted to exert a controlling influence over the group by pressuring McGuinn to recruit either JayDee Maness or Sneaky Pete Kleinow as the band's permanent pedal steel guitar player. May 14, 1976, London), guitarist Eric Clapton (original name Eric Patrick Clapp; b. Hi- Andrew Gold here. Consequently, the album includes musical contributions from all of the key players in the Byrds' convoluted history, including Gene Clark, David Crosby, Chris Hillman, Gram Parsons, Clarence White, and the group's only consistent member, Roger McGuinn . [98] The title track, "5D (Fifth Dimension)", was released as a single ahead of the album and was, like "Eight Miles High" before it, banned by a number of U.S. radio stations for supposedly featuring lyrics that advocated drug use. [1][24][29] Soon after, David Crosby introduced himself to the duo at The Troubadour and began harmonizing with them on some of their songs. And though the two most talented latter-day band members Gram Parsons and Clarence White-met untimely deaths, the five original Byrds share a distinction rare among pan theon rock groups: they're all still alive. Turn! [7] The single represented the high-water mark of folk rock as a chart trend and has been described by music historian Richie Unterberger as "folk rock's highest possible grace note". [164], Parsons' dominance over the band waned still further during post-production for Sweetheart of the Rodeo, when his appearance on the album was contested by music business impresario Lee Hazlewood, who alleged that the singer was still under contract to his LHI record label, creating legal complications for Columbia Records. Crosby said The Byrds fired him because he 'was an a-hole' After hitting No. [256] None of these three original members were interested in the venture and so Clark instead assembled a group of musicians and friends, including Rick Roberts, Blondie Chaplin, Rick Danko, Richard Manuel, and the ex-Byrds Michael Clarke and John York, under the banner of "The 20th Anniversary Tribute to the Byrds". [253] The two former Byrds continued to play low-key gigs after the release of the McGuinn/Hillman album, but they split up in early 1981. [260][263] Later that year, McGuinn, Crosby and Hillman entered Treasure Isle Recorders in Nashville to record four new Byrds tracks for inclusion on the forthcoming The Byrds box set. The band was included in the Rock & Roll Hall of Fame in 1991. Elected to the Rock and Roll Hall of Fame in 1991. BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. [1] The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn (known as Jim McGuinn until mid-1967) remaining the sole consistent member. [71] With all five members sporting Beatlesque moptop haircuts, Crosby dressed in a striking green suede cape, and McGuinn wearing a pair of distinctive rectangular "granny glasses", the band exuded California cool, while also looking suitably non-conformist. He was born as Harold Eugene Clark on November 17, 1944, in Tipton, Missouri. [7], The Byrds' second album, Turn! [109] His departure was partly due to his fear of flying, which made it impossible for him to keep up with the Byrds' itinerary, and partly due to his increasing isolation within the band. [23] Impressed by the blend of their voices, the three musicians formed a trio and named themselves the Jet Set, a moniker inspired by McGuinn's love of aeronautics.[23]. The fact that the only professional live recording we have of the original band is Monterey, at which Mike (and the band in general) did not have a great day, also doesn't help. "[110] However, it has become known in the years since the incident that there were other stress and anxiety-related factors at work, as well as resentment within the band that Gene's songwriting income had made him the wealthiest member of the group. 3. Turn! [201] However, the Byrds' recording of the song does not appear in the film and an acoustic version credited to McGuinn alone was used instead. Find the Countries of Europe - No Outlines Minefield. Last year, Blake Shelton joined the Eagles' Timothy B. Schmit and Joe Walsh for a classic Tom Petty cover. [265], During the 2000s, two more ex-members of the Byrds died when drummer Kevin Kelley succumbed of natural causes in 2002[266] and bassist Skip Battin, who was suffering from Alzheimer's disease, died at his home in 2003. [27] Michael Clarke also found success following the Byrds reunion as the drummer for soft rock group Firefall,[21] while Gene Clark returned to his solo career, producing the critically acclaimed but commercially unsuccessful albums No Other (1974) and Two Sides to Every Story (1977). Share. [28] By early 1964, McGuinn had become enamored with the music of the Beatles, and had begun to intersperse his solo folk repertoire with acoustic versions of Beatles' songs. [232] While in England for an appearance at the Lincoln Folk Festival, the Byrds decamped to CBS Studios in London with engineer Mike Ross and between July 22 and 28, 1971, they recorded an album's worth of new material. [205], Just prior to the release of Ballad of Easy Rider, the Byrds underwent yet another change in personnel when bassist John York was asked to leave the band in September 1969. Clark played percussion and guitar and was an original member of the Byrds, the. [130] Within a year, the compilation would be certified gold by the Recording Industry Association of America,[130] eventually going platinum on November 21, 1986, and is today the biggest-selling album in the Byrds' discography.[135][136]. The original members of the Byrds reunited in 1973 to give a Top 20 performance on the charts. "Our . God, were they awful. [124] "So You Want to Be a Rock 'n' Roll Star" was issued as a single in January 1967 and peaked at number 29 in America but failed to chart in the UK. Several former members of the Byrds went on to successful careers of their own, either as solo artists or as members of such groups as Crosby, Stills, Nash & Young, the Flying Burrito Brothers, McGuinn, Clark & Hillman, and the Desert Rose Band. [220] Nonetheless, the song went on to become a staple of FM radio programming in America during the 1970s. [1][5], Initially, the Byrds pioneered the musical genre of folk rock as a popular format in 1965, by melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music on their first and second albums and the hit singles "Mr. Tambourine Man" and "Turn! An excerpt from the Byrds' recording of ". Together, the pair were hellbent on forming their own country-rock outfit after officially parting ways . [198][222][223] Unfortunately, the grueling pace of the band's touring schedule at the time meant that they were not fully prepared for the sessions and much of the material they recorded was under-developed. [262] However, the Byrds did reunite for a third time on August 8, 2000, to give an impromptu, one-off performance at a tribute concert for Fred Walecki, the owner of a Los Angeles music equipment store who was suffering from throat cancer. [110] Clark, who had witnessed a fatal airplane crash as a youth, had a panic attack on a plane bound for New York and as a result, he disembarked and refused to take the flight. [167] Following the concert, just prior to a tour of South Africa, Parsons quit the Byrds on the grounds that he did not want to perform in a racially segregated country (apartheid did not end in South Africa until 1994). [213] However, it was also felt that the band had a sufficient backlog of new compositions to warrant the recording of a new studio album. [2] Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are today considered by critics to be among the most influential rock acts of their era. [187][188] In the wake of the recent changes in band personnel, McGuinn decided that it would be too confusing for fans of the group to hear the unfamiliar voices of White, Parsons and York coming forward at this stage, and so they were relegated to backing vocals on the album. [160] Thus, McGuinn was persuaded to change direction and abandon his original concept for the group's next album, which had been to record a history of 20th century American popular music, and instead explore country rock. "They took folk music and electrified it, and their sound, particularly Roger McGuinn's ringing guitar, continues to influence bands today." [223][225] Controversially, Melcher and Hinshaw elected to bring in arranger Paul Polena to assist in the overdubbing of strings, horns, and a gospel choir onto many of the songs, allegedly without the band's consent. [111] In effect, Clark's exit from the plane represented his exit from the Byrds, with McGuinn telling him, "If you can't fly, you can't be a Byrd. David Crosby talking in 1980 about the day Roger McGuinn and Chris Hillman fired him from the Byrds[147], Tensions within the band finally erupted in August 1967, during recording sessions for The Notorious Byrd Brothers album, when Michael Clarke quit the sessions over disputes with his bandmates and his dissatisfaction with the material that the songwriting members of the band were providing. [17] In the years following its release, all five band members were openly critical of the album, with the general consensus being that the material included on it was weak and that the recording sessions had been rushed and ill-thought out. [128] Although it received generally positive reviews upon its release, the album was, to a degree, overlooked by the record-buying public and consequently peaked at number 24 on the Billboard chart and number 37 on the UK Albums Chart. [265] According to contemporary press reports, the reunion was an unmitigated success, with the audience giving the band multiple standing ovations and shouting for more as they left the stage. [18] Unfortunately, it would also represent the last time that the five original members were gathered together. It has led him to focus on creating his own music instead of just playing others. Turn!" Crosby left The Byrds in 1967 and in . [16][239] Gene Parsons was fired from the group in July 1972 for a number of reasons, including McGuinn's growing dissatisfaction with his drumming, disagreements that he and McGuinn were having over band members' pay, and his own discontent over the band's lack of morale during this period. 04 Mar 2023 00:41:10 He was 56. [167] After leaving the Byrds, Parsons would go on to produce an influential but commercially unsuccessful body of work, both as a solo artist and with the band the Flying Burrito Brothers (which also featured Hillman). Over the course of the tour, the band chose to expand their ranks, with roadie Jimmi Seiter joining the group on stage to provide additional percussion as an unofficial member. [257] This tribute act began performing on the lucrative nostalgia circuit in early 1985, but a number of concert promoters began to shorten the band's name to the Byrds in advertisements and promotional material. [1] McGuinn disbanded the then-current version of the band in early 1973 to make way for a reunion of the original quintet. To date, the Fred Walecki tribute concert appearance in 2000 was the last performance by the Byrds. [18][19] Gene Clark died of a heart attack later that year, while Michael Clarke died of liver failure in 1993. [208][219] Among the Gene Tryp songs included on (Untitled) was "Chestnut Mare", which had originally been written for a scene in which the musical's eponymous hero attempts to catch and tame a wild horse. [87] Like their debut, the album comprised a mixture of group originals, folk songs, and Bob Dylan covers, all characterized by the group's clear harmonies and McGuinn's distinctive guitar sound. [130][135] Sanctioned by Columbia Records in the wake of the Top 10 success of Bob Dylan's Greatest Hits, the album was a critical and commercial triumph, peaking at number six on the Billboard Top LPs chart and giving the band their highest-charting album in America since their 1965 debut, Mr. Tambourine Man. [210][211][212] As a result of this, it was decided in early 1970 that the time was right for the group to issue a live album. But it hurt like hell. [208] Plans for the musical had fallen through and as a result, McGuinn decided to record some of the material originally intended for the production with the Byrds. [103] It also exhibits the influence of the Indian classical music of Ravi Shankar in the droning quality of the song's vocal melody and in McGuinn's guitar playing. [114] Much of the album's material continued to build on the band's new psychedelic sound, with McGuinn extending his exploration of jazz and raga styles on tracks such as "I See You" and the Crosby-penned "What's Happening?!?!". [86] Nonetheless, it was a commercial success, peaking at number 17 on the U.S. charts and number 11 in the UK. Turn!". [141][142] McGuinn and Hillman became increasingly irritated by what they saw as Crosby's overbearing egotism and his attempts to dictate the band's musical direction. McGuinn and I started picking together in The Troubadour bar which was called "The Folk Den" at the time We went into the lobby and started picking on the stairway where the echo was good and David came walking up and just started singing away with us doing the harmony part We hadn't even approached him. [16][229], In October 1971, CBS Records in the UK issued The Byrds' Greatest Hits Volume II to capitalize on the group's recent appearance at the Lincoln Folk Festival and perhaps as a reaction to the chart failure suffered by Byrdmaniax. Nancy Brooks // Country Writer, Beasley Media Group March 1st. [256][258], In June 1988, McGuinn, Crosby and Hillman appeared at a concert celebrating the reopening of the Ash Grove folk club in Los Angeles. Turn! Turn! [208] Battin's recruitment marked the last personnel change to the group for almost three years and as a result, the McGuinn-White-Parsons-Battin line-up became the most stable and longest-lived of any configuration of the Byrds. [199] The first single to be released from the album was the title track, issued in October 1969 in America and reaching number 65 on the Billboard Hot 100 chart. April 19, 2012, New York, New York), Rick Danko (b. December 29, 1942, Simcoe, Ontario, Canadad. Turn! Prior to the release of The Byrds' Greatest Hits, the band decided to dispense with the services of their co-managers Jim Dickson and Eddie Tickner. [247], The five original members of the Byrds reunited briefly during late 1972, while McGuinn was still undertaking selected concerts with the touring version of the group. [218] Band biographer Johnny Rogan has suggested that the inclusion of these newly recorded live versions of older songs served to forge a spiritual and musical link between the Byrds' current line-up and the original mid-1960s incarnation of the band. The Byrds ( / brdz /) were an American rock band formed in Los Angeles, California, in 1964. American band that . [34][39] In October 1964, Dickson recruited mandolin player Chris Hillman as the Jet Set's bassist. The band's five original members guitarists Roger McGuinn and David Crosby, singer Gene Clark, bassist Chris Hillman and drummer Michael Clarke went on to form such seminal groups as.