jennifer jacobs ucsb

Ph.D. Massachusetts Institute of Technology, MAT and Computer Science. My research lab investigates . In 2000 she began the creation, design, and development of a Digital Media Center within the California Nanosystems Institute. A composer of mixed media works, she received her Ph.D in 1984 from the Eastman School of Music, University of Rochester. Design and Tailoring of Alloys for Additive Manufacturing. 0000002849 00000 n We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. Office: ED 3243, Mathematics He has been teaching at Chinas Central Conservatory of Music since 2003 (electronic music composition). Cc bi vit c nh du. Department of CHEMICAL ENGINEERING Engineering II Building University of California, Santa Barbara Santa Barbara, CA 93106-5080. Current projects involve bio-inspired microstructured adhesive materials, non-linear compliant mechanisms, high-power soft actuators,soft exoskeletons, and growing robots. During the series of World Information.org projects, he has installed several communications mapping and interception systems and projects and his research led him to map the command and control communications networks and response during the Srebrenica genocide. My favorite food: TACOS! Lab: room 3005 (Systemics Lab), Elings Hall. MFA San Francisco Art Institute. His research includes haptic engineering and perception, robotics, human-computer interaction, analog, digital, and spatial sound, motivated by emerging opportunities in human-computer interaction, sensorimotor augmentation of the human body, soft robotics, and interaction in virtual reality. Press, 1989), explored the relation between the imaginative experiences of literature and history. Jennifer Jacobs, J Method Fitness, will help you reach your goals no matter what they are and where you are, rom personal training, cycling, running, shadowboxing, movement and mobility, nutrition, etc. We couldn't do it without you, our amazing faculty and staff members. Extending Manual Drawing Practices with Artist-Centric Programming Tools In Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Montreal, QC, Canada, April 2018. Assistant Professor of Media Arts and Technology, University of California Santa Barbara. M. Arch+Certificate of Specialization in CAAD (Computer Aided Architectural Design), Ohio State University, Professor (specialties: Media and Virtual Architecture, Transvergence, TransArchitecture). natalie.holdren@ucsb.edu Expressive Computation Lab website: ecl.mat.ucsb.edu. Er zijn 800+ professionals die 'Jennifer Jacobs' heten en LinkedIn gebruiken om ideen, informatie en kansen uit te wisselen. Gerald Jacobs received a B.A. Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technology's Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. Jennifer Jacobs, USA, is Assistant Professor at University of California, Santa Barbara, in Media Arts and Technology, and director of the Expressive Computation Lab. He has received over 70 international prizes and awards for his works, including three Prizes at Bourges Electroacoustic Music Competition, the prestigious Magisterium Prize and Giga-Hertz Special Award, 1st Prize in Metamorphoses competition, 1st Prize in Yamaha-Visiones Sonoras Competition, 1st Prize in Musica Nova competition. He completed a postdoctoral fellowship at Stanford University, where he also earned his MS and PhD in Mechanical Engineering. Composer Joo Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. Media Arts and Technology. Follow. She serves as Director and Chief Scientist of the AlloSphere Research Facility. Associate Post Doctoral Research Fellow 0000132293 00000 n Lisa Jevbratt's work - ranging from internet visualization software to biofeedback and interspecies collaboration - is concerned with collectives and systems, the languages and conditions that generate them, and the exchanges within them. Dr. Cabrera worked for more than six years as a professional sound designer and audio engineer and has taught at the undergraduate and graduate level in three countries. Department of Computer Science. Phone: (805) 893-2968. Jennifer Jacobs, PhD, is an Associate Professor in the Elementary Education Program at the University of South Florida. His research and teaching focuses on the visual digital humanities, with a special interest in the epistemology and aesthetics of computer vision and machine learning. TikTok; Twitter; Instagram; LinkedIn; PhD Massachusetts Institute of Technology Tobias Hollerer is Associate Professor of Computer Science at the University of California, Santa Barbara and Adjunct Professor in Media Arts and Technology. Since 2017, he is a research fellow at the Institut des mines-telecom ParisTech, Paris, France and the iCinema Lab, at the University of New South Wales, Sydney, Australia. They are being embedded into the world around us, and we are carrying (soon wearing) them wherever we go. MS Massachusetts Institute of Technology He is the creator of Artsmesh, a macOS application for live networked music performance. Jeremy Jacobs Jeremy Jacobs. 0000001555 00000 n What You Don't Know About Meby Jennifer Jacobs. 0000000856 00000 n He is interested in expanding the ways in which people interact with computers. Jennifer Jacobs. Copyright 2023. Research in HCI, with focus on AR/VR, InfoVis, 3D displays and UI, Computer Vision, contextual and social computing. Chandra's efforts have been recognized with a 2006 NSF CAREER award, the 2008 CRA-W Anita Borg Early Career Award (BECA), and the 2008-9 UCSB Academic Senate Distinguished Teaching Award. Register here Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Paris, France, April 2013. trailer <]/Prev 263262/XRefStm 1180>> startxref 0 %%EOF 754 0 obj <>stream 0000004076 00000 n 805.893.3412 David Young Faculty-led research groups exploring research areas within computer science and its interdisciplinary applications. Click Here to Login with UCSB Net ID. The new release (2021) includes support for Open Sound Control. 0000004961 00000 n Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology. Santa Barbara CA 93106-9490. ::dRUbN8(KAfjp-ip,.>J@ ,(KZT* ]/ 5CPb ti( 1NpqA PPw Ef} -F`Ivp5L1D0D1dLd7& She completed a masters of science in the High-Low Tech group and an MFA in Integrated Media Art from Hunter College. The EC2 project was realized by a team consisting of Roads as project manager, with software developers Jack Kilgore and Rodney Duplessis. UC Santa Barbara Jennifer Jacobs Login to UC Santa Barbara. His first book, Wordsworth: The Sense of History (Stanford Univ. Major: Black Studies & Sociology. Research Director CREATE, and Media Systems Engineer, AlloSphere Research Group. At UCSB he functions as professor at MAT, the Music Department (as Corwin Endowed Chair and Head of Composition) and the College of Creative Studies. He began his research in the field of British romantic literature and art. ALL RIGHTS RESERVED. Copyright 2023. Department of History, 3251 Humanities and Social Sciences Building, www.history.ucsb.edu/faculty/w-patrick-mccray. In 2004, he began researching a new method of sound analysis that is the analytical counterpart of granular synthesis called dictionary-based pursuit (DBP). Job 1, Jennifer Jacobs' debut program with The Beachbody Company, invites you to give your health the same commitment you would any other job for real fitness results in just four weeks. The Allosphere, a unique instrument for interactive real-time scientific visualization, has been used in scientific collaborations across scales from the atomic, through the nano to the biological. Alexis Crisostomo Campus Beat Reporter On Aug. 21, UC Santa Barbara's (UCSB) University & Community Housing Services Manager, Jennifer Birchim, sent an email to the campus community regarding the lack of available housing for UCSB students during the upcoming fall quarter. As a historian, McCray is fascinated by the visions of the future that litter the past. Undergraduate Diversity Officer. Jennifer Jacobs, Assistant Professor Media Arts Technology Program Gregory Johnson, Professor Religious Studies Georgios Koutroulakis, Lecturer PSOE Physics . Please enable it to continue. In 1994, when he started his Voice of the Shuttle Web site for humanities research, he began to study information culture as a way to close the circuit between the literary or historical imagination and the technological imagination. BEng, Systems Design Engineering, University of Waterloo, Canada. Jennifer Jacobs is an Assistant Professor in Media Arts and Technology at the University of Santa Barbara. 0000004438 00000 n of Chicago Press). Website: ecl.mat.ucsb.edu The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. His doctoral research examined the culture and technology of glassmaking in Renaissance Venice. Office: ED 3224, Katie Blackwell To support this argument, I will present research across three categories: 1) Integrating physical and manual creation with computer programming through domain-specific programming environments. Single-Subject (SST, Secondary) Content Supervisors: English-Language Arts . Biography. Ecohydrology and Ecoinformatics, PhD, Geography, University of Toronto, Canada amber.moran@ucsb.edu The projects explore alternative, distributed and unintentional collaborations and expressions of these collectives. Organizations from academia, industry, government, and the non-profit sector that collaborate with UChicago CS. She holds a doctoral degree in Curriculum, Instruction, and Teacher Education from the University of Florida. Her work has been presented at international venues including CHI, SIGGRAPH, Art Basel in Miami, Boston Fashion Week, and Ars Electronica. His book, Microsound (2001, The MIT Press) presents the techniques and aesthetics of composition with sound particles. Copyright 2023 The Regents of the University of California. Jennifer Jacobs (UCSB) Expressive Computation: Integrating Computation with Manual and Physical Making, Masters Program in Computer Science (MPCS), Masters in Computational Analysis and Public Policy (MSCAPP), Equity, Diversity, and Inclusion (EDI) Committee. Her current music research is focusing on a general purpose interface for control of digital information through natural performance gesture. Dr. Sen has been awarded more than $2.2 million in research funding, including an NSF CAREER award in 2009. McCray entered the historians profession via his background in materials science and engineering. Whilst articulating highly fluent theory, he has practiced, producing beautiful ethereal architectures that flux and shimmer as his algorithms run their designed logics. Elliot Hawkess research focuses on bringing together design, mechanics, and non-traditional materials to advance the vision of robust, adaptable, human-safe robots that canthrive in the uncertain, unstructured world. He has published, lectured and exhibited his work internationally. Jeremy covers Western water, weather and legal issues for E&E News, where he has worked since February 2011. . Expressive Computation Lab. Office: ED 3230 In addition to this research, McCray is starting a new pilot project which considers the interaction between scientists, engineers, and artists during the first three decades of the Cold War. [citation needed] Career. Office: ED 3206, World Language (Spanish) In spring 2016, she received the Silver Award in the annual Edison Awards Global Competition that honors excellence in human-centered design and innovation. Previously, heworked at the Harvard Microrobotics Lab and the ETH Multi-scale Robotics Lab. Jacobs . Technical Director, AlloSphere Research Facility. My particular expertise in this area is vision-based interfaces, using computer vision as an input modality: tracking, recognizing, and modeling people and their activity. Jennifer Jacobs is Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). He is former Media Arts & Technology department chair (2013-2017). GH Jacobs. Jennifer Scalzo jscalzo@ucsb.edu Office: ED 3224. UC Santa Barbara Santa Barbara, California 93106 (805) 893-8000. Recently published from Univ. 0000000016 00000 n She is director of the Expressive Computation Lab a group whose research spans computational art and design, human computer interaction, and systems engineering. In a series of theoretical essays in the 1990s, he explored cultural criticism, the new historicism, and postmodernism in contemporary literary studies. We're sorry but personalwebsite doesn't work properly without JavaScript enabled. The lab is based in the California NanoSystems Institute and is affiliated with the Four Eyes Lab in MAT and Computer Science and the Center for Interactive and Visual Computing (CIVC). Copyright 2023 The Regents of the University of California, All Rights Reserved. She is also affiliated with UCSB's Center for Responsible Machine Learning (CRML). We focus on supporting . Distinguished Professor He edited the anthology Musical Signal Processing in 1997. Media Arts and Technology, Computer Science, University of California, Santa Barbara %PDF-1.4 % Cyborgs and Space. University of California, Santa Barbara. Her group has recently developed and released AppScale - an open-source platform-as-a-service cloud computing system that implements the Google App Engine (GAE) APIs and that facilitates next-generation cloud computing research. In this talk, I argue that by developing methods to integrate computational production with manual and physical making, we can dramatically expand the expressive potential of computers and broaden participation in computational production. Many of her rides had remained available until a class purge in August 2020 . Professor Tim Dewar In 2000, he joined the Stanford Graphics Lab where he did research on real-time rendering and computational photography. kblackwell@ucsb.edu His publications include several articles in journals and a book on 20th century music theory. He is a Fellow of the Optical Society of America and of the American Association for the Advancement of . Jennifer Jacobs and Leah Buechley Codeable Objects: Computational Design and Digital Fabrication for Novice Programmers. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. Santa Barbara, CA 93106. Email: esprogram@es.ucsb.edu. 1960). ,01nXu`LzG3:0e`\qS9Ol*+20r2d01!X~>'@ 4cc endstream endobj 1332 0 obj <>/Filter/FlateDecode/Index[77 1229]/Length 53/Size 1306/Type/XRef/W[1 1 1]>>stream From 2009 on he is the one of the series editors of the Arctic Perspective Cahiers series (Hatje Cantz and API). When he arrived at UCSB, McCray became more interested in the history of nanotechnology and how it intersected with his prior research on the history of materials. Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. He then attended Stanford University where he received his M.S. He initiated and in 1986 co-founded GIMIK: Initiative Music and Informatics Cologne and served as chair for thirteen years. 223K followers. Supervisor: Maneesh Agrawala. He has unique experience in HDLAs (High Density Loudspeaker Arrays) through his work in the Sonic Lab in the Sonic Arts Research Centre and the Allosphere at UCSB. He worked in interactive art and design R&D at FoAM, Belgium, at the Interaction Design Institute Ivrea, and at the art+technology organization Zero-Th, which he co-founded in 2005. Dr. Visell's directs the RE Touch Lab, leading fundamental and applied research on the future of interactive technologies. Professor Emeritus I work across the fields of computational art and design, human computer interaction, and systems engineering. and B.F.A from Hunter College and the University of Oregon respectively. Office: ED 2218, History-Social Science . Researchers. Tobias holds a graduate degree in informatics from the Technical University of Berlin and MS and PhD degrees in computer science from Columbia University. UC Santa Barbara. Collectively, my research demonstrates how developing computational workflows, representations, and interfaces for manual and physical making can enable manual creators to leverage existing knowledge and skills. in Electrical Engineering in 1998 in the area of electron-beam lithography. At UCSB, she directs the Expressive Computation Lab, which . That being said. In 1988 he was Director of Music of the XIVth International Computer Music Conference, held that year in Cologne. Any unlawful redistribution or reproduction of artwork featured on this site without prior express written authorization of the copyright owner is strictly prohibited. Santa Barbara, California, United States. Her years of experience in digital media research led to the creation of a multi-million dollar sponsored research program for the University of California, the Digital Media Innovation Program. Jacobs received a BA in English Language and Literature from Iowa State University in 1993. Undergraduate Research Fellow, Black Studies & Sociology, 2019-present. Single-Subject (SST, Secondary) Tim Dewar tdewar@ucsb.edu Office: ED 2218. She created, built, and designed the Center for Research in Electronic Art Technology and is the Center Director since its inception in 1986. All rights reserved. between music and language, and the visual, and would welcome collaboration with MAT students in any of these fields. Prior to UCSB, she was an Instructor at Harvard Medical School and the Department of Medicine/Division of Women's Health at Brigham & Women's Hospital. Sarah Rosalena Brady is Assistant Professor of Art at UC Santa Barbara in Computational Craft and Haptic Media. She also received an M.F.A. Assistant Professor, Media Arts and Technology and Computer Science (by courtesy), The Expressive Computation Lab's objective is to foster the development of expressive computational tools for art, design, and engineering. In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. Misha Sra is the John and Eileen Gerngross Assistant Professor and directs the Perceptual Engineering Lab in the Computer Science department at UCSB. As part of her research, she has conducted craft and technology workshops around the world. He is especially interested in the motives and ways these communities collaborated with one another, how Cold-War derived technologies such as lasers and digital computers were enlisted for artistic purposes, and the presence of Cold War themes such as nuclear war, cybernetics, and the Space Race in art from the 1950s, 60s, and 70s. Rooms 2024 and 2005, Elings Hall. Since that time he has taught at Ohio State, University of Texas Austin, the Architecture program at UCLA, the Digital Media program at UCLA, and the Art Center College of Design, in Pasadena. In 2008, CREATE released EmissionControl, a new program for sound granulation written by David Thall in consultation with Curtis Roads. Legrady's artistic works have been supported by awards from the Creative Capital Foundation, the Daniel Langlois Foundation for the Arts, Science and Technology, the Canada Council for the Arts, the National Endowment for the Arts, and a John Simon Guggenheim Fellowship in Visual Arts in 2016. Add to Calendar 01/19/2023 02:00 PM 01/19/2023 03:00 PM America/Chicago Jennifer Jacobs (UCSB) - Expressive Computation: . Media Arts and Technology/Expressive Computation Lab, University of California Santa Barbara, United States, Jennifer Mary Jacobs. 1,650 posts. Trained in computer science, design, and fine art, Jacobs received her Ph.D. ECL is seeking PhD students in MAT or CS for the 2020-2021 academic year. Dennis Adderton is an Electrical Engineer with 20 years of experience in the design of scientific instruments and is currently employed as Technical Director for the Allosphere Research Facility, in the California NanoSystems Institute at UCSB. She completed a masters of science in the High-Low Tech group and an . loh2o@ucsb.edu 0000008107 00000 n He holds a PhD from University of California, Santa Barbara, where he was a fellow of the Regents of the University of California, and a Diploma from the Institute for Applied Theater Studies in Gieen, Germany, where he was a student of composer and director Heiner Goebbels and a fellow of the German National Academic Foundation. In line with this vision, ECG builds new computational tools that enable artists, designers, and engineers to integrate core computational affordances with their own knowledge and practices. His studio in Beijing specializes in live music performance over highspeed networks. And we surely wouldn't want to. The experiments, projects and courses we do and offer contribute to the arts-engineering / scientific community in the following way: 1) Explore new forms of visualizations through implementation of advanced knowledge of visual language, image syntax and semiotics 2) Rapid testing of concepts through visual/spatial/interactive means 3) Address image-based research that are on the fringe of engineering / science research for artistic exploration. Facebook; Instagram; Vimeo; Linkedin . He attended Purdue University from 1992 - 1996, where he graduated with a B.S. He is also principal investigator of the UCHRI multi campus research group "Critical Machine Learning Studies" (2021-23), and the international research project "AI Forensics" (2022-25), funded by the VW foundation. . Pre-Professional Coordinator: 0000009548 00000 n Office: ED 3232, Single-Subject (SST, Secondary) He received the Masters of Architecture at Ohio State university in 1983. for a Member company and need a Member Portal account? At UCSB, he is affiliated with the Media Arts and Technology program, the Comparative Literature program, and the Center for Responsible Machine Learning. Office: room 2205. Natalie Holdren The Slowscan label released in 2021 a collection of his electronic music on vinyl LP. jjacobs00@ucsb.edu. From 1990-94 he was Artistic Director of the Institute of Sonology at the Royal Conservatory in The Hague, where from 1994-2006 he was Professor of Composition and Sonology. Monica Scafide 0000010120 00000 n Her first book, 2. Defining this emerging field by advancing foundations and applications. University of California Santa Barbara Elings Hall Room 2215 Santa Barbara, CA, 93106 jmjacobs@ucsb.edu jenniferjacobs.mat.ucsb.edu Research Interests . From 2008-13, he held the position of Canada Research Chair in Telemedia Arts (University of Calgary). BibTeX. 735 0 obj <> endobj xref Art, Electronic Theater or Performance Jury. 0000003807 00000 n All artwork and text on this site are the exclusive copyrighted works ofthe artist or author. Professor Jennifer Jacobs. As primary investigator, she has received two research grants in 2020 and 2021 from the National Science Foundation Division of Information and Intelligent Systems in computational fabrication for manufacturing and commercial craft. Vienna, Austria 10, J Li, J Brandt, R Mech, M Agrawala, J Jacobs, Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems, O Fried, J Jacobs, A Finkelstein, M Agrawala, Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing, N Peek, J Jacobs, W Ju, N Gershenfeld, T Igoe, Extended Abstracts of the 2021 CHI Conference on Human Factors in Computing, Proceedings of the 27th ACM Symposium on Virtual Reality Software and, Bi vit mi lin quan n nghin cu ca tc gi ny, Codeable objects: computational design and digital fabrication for novice programmers. He was appointed Director of Pedagogy at Les Ateliers UPIC (later CCMIX) and Lecturer in the Music Department of the Universit Paris 8. University of California, Santa Barbara. His textbook The Computer Music Tutorial (1996, The MIT Press) is widely adopted as a standard classroom text and has been published in French (1999, third edition 2016), Japanese (2001), and Chinese (2011). Santa Barbara CA 93106-9490, 2022 The Regents of the University of California, All rights reserved.Terms of Use Accessibility Non-Discrimination Policy Title IX Feedback Land Acknowledgement, Department of Counseling, Clinical, & School Psychology, Center for School-Based Youth Development, Social Tools and Rules for Teens/Transitions (START) Programs, Parent-Child Interaction Therapy (PCIT) Clinic, The Gevirtz School (GGSE) - UC Santa Barbara, Hosford Counseling & Psychological Services Clinic, CA Teacher Education Research & Improvement Network, International Center for School-Based Youth Development, Dean's Lecture Series on Education, Diversity & Democracy, Harding University Partnership School Community Resource Center, From Ocean & El Colegio Newsletter Archive. She works across the fields of computational art and design, human computer interaction, and systems engineering. She has published at the most selective HCI and VR venues such as CHI, UIST, VRST, and DIS where she received multiple best paper awards and honorable mentions. In this email, Birchim explains how many students are "finding themselves without options" for 0000004690 00000 n 0000003473 00000 n She is the founder of Uproot, UCSB's first BIPOC art coalition. His research partners included Garry Kling, Bob Sturm, Aaron McLaren, and John Shynk. 0000001885 00000 n At UCSB, she directs the Creative Computing Initiative and co-directs Wireframe, a media studio that promotes collaborative theoretical and creative media practice with investments in global social and environmental justice. As AI decouples intelligence from consciousness, as XR technologies transform perception, and as matter becomes machine manipulable, three key questions about the future arise: 1) what will newer AI-infused experiential interfaces look like where digital bits occupy space and algorithms have faces, 2) what can we learn about human behavior through human-AI interaction and how can AI models learn from human behavior, and 3) how will a shift from data-centric to human-centric AI systems augment our capabilities and enrich our lives?